I. The Eternal Figaro

There is in the Marriage of Figaro of Beaumarchais, first performed at Paris in 1784, a famous soliloquy by Figaro in which much of what we have laboriously analyzed in the previous chapter is dramatically focused in a few pages. Figaro himself is the able young man unjustly kept down by the pressure of a social system built on privilege. As the scene opens he is waiting in the darkness to surprise in an assignation his bride and his master, the Count Almaviva. His first reflections on feminine inconstancy pass over very rapidly into a violent attack on his noble master. “Because you are a great lord, you think you are a great genius! ... nobility, fortune, rank, appointments; all this makes a man so proud! But what have you done to deserve so many good things? You took the trouble to get born!” Then he looks back on the struggles that have filled his life—his obscure birth, his education in chemistry, pharmacy, surgery, all barely sufficing, because of his lack of high birth, to give him the privilege of practicing veterinary medicine; his venture in playwrighting, and his inevitable clash with the censor; his turn to writing on state finance, and the resulting prison term; another essay in literature, this time in journalism, and another suppression; rejection as candidate for a government job, since unfortunately he was fitted for the post; a turn as gambler, when his noble patrons took most of his profits; and his final return to his old trade as barber-surgeon.

Scattered throughout the soliloquy are a train of epigrams which delighted fashionable audiences in the old regime, and were taken up throughout the country. Indeed, families would come up to Paris chiefly to see the Marriage of Figaro, and hear French wit at its best directed against a wicked government. Here are a few of Beaumarchais’ most famous jibes: “Not being able to degrade the human spirit, they get revenge by mistreating it.” “Only little men fear little writings.” “For the job an accountant was necessary; a dancer got it.” “To get on in this world, savoir faire is worth more than savoir.” And, of course, that bitter jibe at the Count’s attainments—“qu’avez-vous fait pour tant de biens? vous vous êtes donné la peine de naître.” Here in this one speech are so many indications of the coming revolution that, with the wisdom of after-the-fact that comes so naturally to the historian, we can say the revolution is already almost full-blown in Figaro. Including, of course, the fact that, after a long vacillation, the censor did not stop Beaumarchais’ play.

The years just preceding the actual outbreak of revolution witness a crescendo of protests against the tyranny of the government, a hail of pamphlets, plays, addresses, an outburst of activity on the part of interested pressure groups. Facing all this, the government certainly does not live up to the reputation its opponents seek to make for it. Its tyrannous attempts at suppressing the rebellious opposition may perhaps fail because that opposition is too strong, resourceful, and virtuous; or its attempts may fail because they are carried out half-heartedly and inefficiently by governmental agents more than half won over to the opposition. The fact remains that they do fail.

Even the period of the personal rule of Charles I which preceded the English revolution was not altogether as quiet and successful as it seemed on the surface to be. Many Puritan divines escaped Laud’s attempt to drive them from the Established Church, and the others found plenty of independent pulpits and printing presses. Strafford might write in 1638 that “the People are in great quietness and, if I be not much mistaken, well-satisfied if not delighted with his Majesty’s gracious government and protection”; but he was much mistaken. At the very least these eleven years of personal government were but the calm before the storm.

In our other three societies we do not even find this deceptive calm, but a steady growth of revolutionary agitation. In America hardly a colony escaped some form of rioting in the period between the Stamp Act and Lexington, and all of them saw a steady growth of agitation through merchants’ committees, correspondence committees, Sons of Liberty, and similar groups. The French government in the 1780’s drew nearer and nearer to bankruptcy, and with each expedient to avoid bankruptcy brought nearer the calling of the Estates-General and the signal for revolution. As for Russia, it was a society strikingly conscious of the possibilities of revolution. Upper-class Russians had for more than a generation been turning their uneasiness into the smooth coin of conversation: “sitting upon a volcano,” “after us the deluge,” “the storm is rising.” In 1905 and 1906, under pressure of defeat by the Japanese, a kind of dress rehearsal of the great revolution took place. The patriotic enthusiasms of 1914 for a while stilled conspicuous preparation for revolution, but military defeat in 1915 and 1916 brought back conditions that grew daily more and more like those of 1905.