B. Girls with Glamor

Let it not be surmised that government-girls are all the girls. There are wives and fiancées, college co-eds, a sprinkling of debutantes and other daughters of the rare society clans, smart saleswomen, even a few presentable sob-sisters.

But the true glamorette, as she is known on Broadway and Fifth Avenue, Vine Street and Sunset Boulevard, and even in such remote oases of joy as Galveston, Texas, is virtually non-existent.

Chorines are but a memory of leg and lavender for the old inhabitants. Except for a rare transitory line in a night club, there is no such thing. Occasionally an imported single or sister-act plays the vaudeville house. Some of the painted peelers who work in the suburban dives sleep in Washington hotels. A movie celeb popping in for publicity, to attend a birthday ball or be photographed smiling down on Truman from the top of a piano, is an event. If there are any gorgeous, dangerous, slinky spies, we didn’t find them. Judy Coplon, by the men who specialize in the field, was called exceptionally lush for that trade. So we stopped looking.

The indigenous flora shape up about as they do in Brooklyn, except that they are better dressed and have less sooty complexions. They do not come downtown in slacks. Sloppy galoshes are de trop. Most girls at 16 appear and behave grown up.

But few can enter the accepted avenues where beauty may command a respectable commercial return. In any ranking hierarchy of glamor the model comes first, having long since passed the chorus girl, because of the more stable rewards and higher standards brought about by the great advertising demands. Washington has little need for animated manikins. Some of the choicer shops employ them to demonstrate clothes. There is no extensive advertising field.

The most lucrative and the steadiest calls for models come from sources not seeking those who might be employed in industrial cities for modeling. They hook on as hostesses, guides, ushers, and to decorate the booths and exhibits at conventions and trade shows, which are numerous. Those who are engaged sporadically earn a minimum of five dollars an hour, plus indeterminate tips. Their morals vary with the personal equation. The models who are willing to pose in the nude at stag-parties get fifty dollars an evening. These register with surreptitious characters of the middle-world between flesh-market procurers and shady promoters.

Among the better-known models’ agencies are Models Bureau, in the Chastleton Hotel; Ralston, 711 14th Street, NW, and Phyllis Bell, 306 13th Street NW.

The girl who sets out to be a model in Washington is usually one of those rare creatures—the native. An out-of-towner with such ambitions would naturally head to New York.

(Note: Most model agencies are schools instead of employment agencies. They seek to sign job-seekers to contract to learn how to walk, instead of sending them out to work. Some, billing themselves as agencies, provide girls—but not for modeling.)

Another reason for the shortage of really high class cheesecake is that there is almost always a displacement movement in effect.

The trains and planes to Hollywood are loaded with lookers, sent there with entree obtained for them by such influential VIP’s as cabinet officers, four-star generals, bureau heads, etc. When a prominent daddy gets fed up with his dame, he can’t just brush her off; she might make trouble, and that might get into print.

So the procedure is to phone Hollywood, where a liaison contact is instructed to obtain a job at a studio for the chick. The big film companies employ scores of so-called “contract” gals at $150 a week or so, who do nothing but pose for publicity stills, date chosen visitors, like out-of-town exhibitors, and otherwise make themselves useful and amiable around the lots. One in a thousand rises and may become a star.

The movie industry is always skating on such thin ice, what with anti-trust laws, etc., that a request from Washington is a command. So it’s a happy out all around. Mr. Big gets rid of his discarded girl, she goes willingly because no girl can turn down a film contract, and Hollywood stores up a favor for the next time it needs one.

Many girls with talent originated here but they scrammed as soon as they were old enough to know better. Among them were Helen Hayes, Kate Smith and Mary Eaton, all members of the St. Patrick’s Players.

Washington has no clubs or theatres with lines of girls. The best a babe with light feet can do is get in as a teacher at a dance studio, quite a business in Washington. The local classified phone directory has four pages of listings of dance instructors. That’s because dancing schools are a swell way for lonesome people to meet each other, and that’s what Washington has plenty of. The local Arthur Murray licensee, across the street from the Mayflower Hotel, is the largest Arthur Murray studio in the world. At least 2,000 girls find full or part-time employment working as instructors in the dozens of studios. Many of these girls are little more than taxi-dancers.

Pretty, personable ones can make up to $100 a week with tips. Those who take dates after hours do even better.

The real Washington glamor girl is the kept woman. You’d be surprised how many there are. All the bigger hotels and the glossier apartment houses around Dupont Circle and out Connecticut Avenue are loaded with them. They are the ones you most often see in mink coats, in expensive beauty parlors and fine shops. They are maintained mainly by important government officials, Senators, sports and millionaires from all over the country who make their headquarters in Washington. Many an executive who commutes to the capital keeps a cutie there full time.

All Washington giggled when it heard the story of the tall, stately blonde whose bills were paid by a Cuban sugar millionaire, and who fell in love with an assistant manager of the Shoreham Hotel, where she was living in high style. Her Latin lover found her in flagrante delicto with the hotel employe. The men squared off for a fist fight, but first locked the babe in a clothes closet. They blacked each other’s eyes—but she fractured her ankle trying to kick the door down.

To add to the embarrassment of the unhappy Cuban, his wife had been spying on him and his love through high-powered binoculars from Rock Creek Park, across the street. She sued him for divorce in New York.

A genuine glamor-gal does pop up now and then. One was Evelyn Knight, the radio and record star, who warbled for $75 a week in Washington hotels until a couple of years ago, then clicked in Manhattan and is now dragging down thousands.

Bette Woodruff, another home-grown dish, seems to be on the upgrade. A dress model, Bette had a yen to sing. One day, on a dare, she phoned maestro Dick Williams to tell him she was available. He didn’t know her from Eve, took her name to shut her up. Next day his vocalist got sick. He phoned Bette in a hurry. That was less than a year ago. Now she’s thrushing regularly, and well.

But Jan Du Mond, a five-foot-three night club canary, pianist and composer, drives a cab by day.

“My little coupe broke down,” she told a reporter. “I couldn’t afford a new car. Becoming a taxi-driver provided me with transportation at night to get to my engagement—the company lets me take the car home.”

Besides, she meets the most interesting people!

Sometimes a government gal switches to a glamor gal. One was Sandra Stahl, “Miss Washington,” in last fall’s Atlantic City beauty contest. Sandra was a secretary for Air Force Intelligence, but she has a face, a figure, a noodle and a voice. She was the dark horse when she sang before 3,000 people in Rock Creek Park, but 14 judges, including the Treasurer of the United States, sent her to Atlantic City.

Sandra comes from Long Beach, California. In our “New York, Confidential,” we noted that many of Gotham’s orchids on display come from Southern California. Maybe Sandra got on the wrong train.