World Stories Retold for Modern Boys and GirlsWorld Stories Retold for Modern Boys and Girls

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6. Jenny Lind, Singer

Jenny Lind, the “Swedish nightingale,” fills a place all her own among the world’s great artists of song. Gifted in voice, beautiful in face, lovely in character, a princess among givers, the guardian angel of the poor and unfortunate, she was for many years the idol of all classes of people, adored not simply for her talent, but also as one of the most perfect of women. She was born in Stockholm, Sweden, October 6, 1820. Her father was a good-natured man, who enjoyed song, but he was unable to provide for his family. Her mother was a woman of determination, who helped care for the family by teaching school. When very small Jenny showed a love for the singing of birds, and often when she sang to her pet cat, as it sat with a blue ribbon around its neck in the window, people in the street used to listen and wonder. One day a lady heard the child’s voice, and said, “She is a genius; she must be trained.” At nine she sang before the music-master of the Royal Theater, and he was moved to tears and at once accepted her, and for ten years she was educated in singing and elocution at the expense of the government of Sweden. Jenny began to act and sing in the Royal Theater at ten, and sang and played continuously until she was twenty. From twelve to fifteen she sang in concerts, and the Swedish people became very proud of her. At twenty she was made a member of the Royal Swedish Academy of Music, and was appointed court singer. The progress in her art led her to devote four hours or more daily for almost a year in practising the scales and exercises under a great teacher in Paris. Then she began to travel through Europe, singing before kings, nobles, and distinguished people, and to crowded audiences who hailed her as “the first singer of the world,” and paid enormous prices to hear her. At last she consented to sing in the United States. When she arrived at New York thousands were on the dock eager to catch a glimpse of her. Triumphal arches surmounted by eagles bore the inscription, “Welcome, Jenny Lind. Welcome to America!” At the first concert, where thousands listened enchanted to her in Castle Garden in New York, some persons paid as high as six hundred and fifty dollars for a single ticket. Jenny Lind’s share for this one concert was nearly ten thousand dollars. She immediately sent for the mayor of the city and distributed the whole amount among charitable institutions. Throughout her life she felt that the money she earned was only hers in trust, as well as her voice. She said: “It is a great joy and a gift from God to be allowed to earn so much money and afterward to help one’s fellow men with it. This is the highest joy I wish for in life.” Everywhere she gave benefit concerts for charitable institutions or for individuals in need. In New York alone she gave away forty thousand dollars in charities. When warned against so much liberality, as some unworthy persons would seek aid, she always replied, “Never mind, if I assist ten and one is worthy, I am satisfied.” At thirty-one she married Mr. Otto Goldschmidt, of Hamburg, an accomplished musician, and they secured a beautiful residence in England, where they lived most happily for many years, until her death, November 2, 1887, at the age of sixty-seven. Queen Victoria, who had often heard her sing and who greatly honored her, sent a wreath of beautiful white flowers.

Mendelssohn said of her, “I never met so noble, so true, and real an art nature as Jenny Lind.” N. P. Willis said: “To give away more money in charity than any other mortal; to be humble, simple, genial, unassuming, and still be the first of prima donnas; to have begun as a beggar girl and risen to receive more honor than a queen, this is the combination that makes the wonder of a dozen heroines in one single girl.”

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