1. Encouragement

There is comfort in knowing that a story need not be perfectly told to interest and delight little children in the home, kindergarten, or the lower grades of the Sunday-school and public school. The imagination of the little child is so keen, so abundant, and flows so freely that it triumphs over external defects of presentation and reaches the heart of things. Though this is true of one child or of a small group of children of about the same age and interests, it is not true, as practice soon teaches, of a large group, especially of children of different interests. Such an audience needs the magnetism of personality to hold it, and some real art in the presentation of the movement and details of the story.

Such professional story-telling is a rare gift, and is as valuable as it is rare. Not every parent, teacher, minister, or educator of youth, who may wish to be a story-teller may have the skill, time, patience, or perseverance to become an artist. Such training would involve the study of the technique of the use of the voice and of gesture, a thorough knowledge of the sources for stories, skill in the selection and preparation of material, practice in actual story-telling, and the hearing of stories told by professionals, the character of whose work unconsciously becomes the ideal of the story-teller. Training for such professional story-telling is given in colleges, presented in a number of interesting books, and encouraged by story-tellers’ training classes and leagues in many places. The hints here offered have the more modest story-teller in mind, the busy parent in the home, and the Sunday-school or public-school teacher, who may not have access to the technical books on the art of story-telling.