Note IX
IV. 2. 55, 56. The first Quarto has:
To point his slow vnmouing fingers at—oh, oh,'
The second and third have the same except that they substitute 'finger' for fingers. The first Folio, which is followed substantially by the rest, has:
To point his slow, and mouing finger at.'
Rowe:
To point his slow and moving Finger at—.'
He is followed by Pope, Theobald, and Hanmer.
Warburton also follows Rowe, except that he reads 'unmoving' for 'and moving.'
Johnson, Capell and Jennens adopt Warburton's reading.
Capell puts 'O! O!' in a separate line.
Steevens reads with the second and third Quartos, followed by Malone, Rann and the Variorum Editors.
Malone conjectures:
To point his slow unmoving finger at,—'
Mason proposes 'slowly moving' for 'slow unmoving': a conjecture which has been also made by Mr Collier's MS. corrector and adopted by Mr Collier in his second edition.
Becket conjectures:
To point his slow-unmoving finger at.'
Jackson:
To point his low unmoving finger at.'
Mr Knight, in his 'Stratford' Edition, and Mr Staunton adopt Hunter's conjecture:
To point his slow and moving finger at,—'
Mr Grant White, in his Shakespeare's Scholar, expressed his approval of this conjecture, changing however, 'and moving' to 'unmoving' in the second line. In his edition he follows, as we do, the second Quarto. 'The time of scorn' (he says) is a phrase like 'the day of sorrow,' 'the hour of joy,' or 'the age of progress.'
Dr Cartwright reads:
To point his cold unmoving finger at.'
Mr Bailey conjectures:
To point his sly and mocking finger at.'
Mr Bullock proposes to read:
To point his foul unmoving finger at.'
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